I wanted to show you some of my art!
Currently, I am working on a poseable fairy doll. She will be around 8 inches and I'm planning on making her several interchangeable wigs, outfits, and shoes.
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| Unamed as of yet. Any ideas? |
This her head so far. She is made with a mixture of Prosculpt, Puppen Fimo and Fimo Soft. Her eyes are handmade by me using white and translucent polymer clay, paint and UV resin gel. It is the first time I have experimented with skin tones other then the premade clay packages. Getting a mini food processor really makes the whole process a snap. I'd suggest this one, it was the cheapest one with the best reviews so I got it and it has worked really well and fast!
So far I've succeeded in getting a color that I like. But my second goal, making the clay easy to blend like pure Prosculpt but avoiding the many moonies I always get with it by adding Fimo Soft and Fimo Puppen, didn't quite work out. I don't know about the moonies yet, I've only used the heatgun not the oven (cross your fingers for me!). The blendinging though, was not easy as I had hoped. It was certainly better than pure Puppen Fimo, but still not good enough.
Luckily, through my customary manic research (I love finding useful information) I found what I think is a better and easier way to smooth than simply using rubbing alcohol. It seems so simple and obvious now, I can't believe I never tried it before.
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| An example of bad blending, this doll was done with pure Puppen Fimo and was impossible to get smooth! |
Puppen Fimo is my perfect clay, aside from the fact that I never could seem to fully blend all the layers of clay together. I'd add a bit of clay to the cheek and try my hardest to blend it with my finger, tools, rubbing alcohol and even acetone, but you always see a little ridge, line, gap at where the two layers of unbaked clay joined. If I pressed hard I could perhaps get it to blend, but then that made an unwanted impression. You may not have had the trouble with blending I've had, but I'd still say that this method below seems to really make the surface of the clay velvety smooth and perfectly seamless with minimal time and effort!
First, while you are still working on the form, keep on using that rubbing alcohol to neaten things out. It's not perfect but it helps. Once you have finally decided that all your planes and depth is down and you're done with the sculpting, you can use vaseline or (so I've heard) mineral/baby oil or perhaps even sculpey dilutent, on your finger or wooden tools (wood helps absorb and hold vaseline unlike metal/plastic) to blend your surface! Vaseline seems to permanently soften the clay, not just melt the top layer temporarily like the alcohol. While softening, it also seems to weaken, which is why it's important to only use it on your very outer clay layer and not the more structurally vital inners. It's not finished though. The surface may be seamless now but not velvety smooth yet. So go ahead and soft fire it with your heat gun (it's easier to sand soft), and then buff with a fine grit sanding sponge until you are satisfied.
I've heard people always say they get their sanding sponge at a home improvement store, but I've never found a fine enough grit one there. I use nail buffing sponges which you can find at you local grocery or drug store for about a dollar. That's all for now, I really should get to bed. I am as shy as I say, but once I get going I guess I turn into a chatterbox!
I'll see you tomorrow, and please feel free to ask me any questions.
Also check out my Flickr for more pictures.
Thank you for reading.
